Zaha Hadid’s design pushes the boundaries and preconceived notions of the chandelier, redefining the nature of the object. “From my first days in architecture at the Architectural Association, I have always been interested in the concept of fragmentation. For me the idea of fragmentation has also to do with the idea of dynamism, of a cosmic explosion of some kind. For this piece, each Swarovski crystal can be considered as an individual element that interrelates with, and responds to, every other crystal. Locked in a spiraling vortex, the crystals direction is determined by the forces of an explosion. As with our architecture, contextual embedding is always considered. The chandelier relates to – and interacts with – each new environment in a unique manner; constantly reinventing itself and offering exciting new possibilities with each installation.”